Amy and I watched the latest Star Trek film tonight on disk from Netflix. I can say that this is easily the worst Star Trek film ever. It may be one of the worst big budget films ever. That the Enterprise is completely destroyed in the first 20 minutes serves as the perfect metaphor for what J.J. Abrams is doing to this franchise: turning it into smoking ruins. Abrams directed and wrote (I think) the first two of the reboot films, and executive produced this one. The first film was good. The actors really pulled off the difficult task of stepping into the roles of such iconic characters. Abrams appeared to understand that Star Trek is first and foremost about those characters and their relationships. The second film continued to honor the characters, but it lost its footing with an implausible story and a really, really bad grasp of physics. But it is Citizen Kane compared with this new film, which fails in every area: Ridiculous plot. Absurd “science.” Plot written to serve the special effects. Special effects that aren’t very special (how can they be when the film is wall to wall effects?). And, worst of all, the actors begin to look like frauds pretending to be Spock, Kirk, Bones, Scotty, because the writers just don’t care about them as characters any more.
Here are some random gripes about this travesty:
- The filmmakers rush from one outlandish and impossible stunt to another, conjuring up whatever pseudo-science they need to explain why they can do this, usually with a quick one-sentence explanation from Scotty. “He’s using the gravity slip stream…”
- How the villain and his crew end up doing what they are doing makes no sense whatsoever. How they get the amazing technology to destroy star ships when they are stranded on a planet is gasp inducing, and not in a good way. That they even know about a super weapon that comes into possession of the Enterprise is unlikely at best. Why the villain keeps the crew of the Enterprise alive, when he’s intended to destroy millions of people is inexplicable, except to the extent that the writers needed them alive so Kirk, et. al. can rescue them.
- How is it that the Enterprise is on a five-year mission to explore unknown space, but there is a giant Federation space station with millions of people on it at what they describe as the edge of the frontier?
- It takes the crew longer to fly from one edge of this space station to the center than it did to fly from a distant planet within a nebula.
- Seeing that nostalgic music worked for Guardians of the Galaxy, the filmmakers boldly incorporate that idea into this story. But the music sucks.
- The writers dutifully make Scotty and Bones say things that Scotty and Bones are known for saying… i.e. “I’m a doctor not a…” and “Captain, I’m giving her all she’s got…” (or something close). But that’s no substitute for actually making these living, breathing characters.
- Why there is a vintage motorcycle onboard a deep space, early star ship that has crash landed on the planet on which Kirk and crew are stranded is a head scratcher, but you know immediately that Kirk is going to ride it at some point. And when he did, I just felt another round of “lets create the stunts first, then we can shove a plot in there to fill in the cracks.”
I love Star Trek and these characters, but someone has got to rescue them from J. J. Abrams. Steven Spielberg, where are you when we need you?